Five Basic Steps to Writing a Comic Book Script


Everybody adores a decent comic, regardless of whether you’re a comic book nerd or simply the easygoing reader of a comic in your neighborhood paper – Comic Strips are extraordinary. While some funny cartoons simply take a couple of moments or less to read, don’t discredit the trouble of making one. If you are planning on writing and creating a comic book script, here are five basic steps to writing a comic book script.

Get An Idea First:

You need a thought before you begin. Everything starts with a thought, and your comic book or realistic novel is the same. As a narrator, your best apparatus is a journal so keep it with you consistently. That way, when a thought flies into your head, you can write it down. Try not to stress if your thought isn’t completely confirmed at this point. Go with it. No one can tell where it’ll take you.

Next Comes the Script:

Get your thought down on paper and tissue it out. One of the most well-known missteps is to begin drawing your comic book before your story. While you may want to get a clear piece of paper and simply leaping, you’re probably setting yourself up for disappointment. Set aside the effort to compose content. It shouldn’t be extravagant and you needn’t bother with a costly application to complete it. A basic writing tool will do.

At the point when it’s an ideal opportunity to compose your content, there are four central matters to remember; know your classification; understand your principal character’s objectives/challenges; create an acceptable setting; and add a start, a center, and an end.

The Layout:

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Coordinate the design before you begin drawing the real comic. When your content is finished, it’s nearly an ideal opportunity to begin drawing.

When dealing with the design, you will likely keep the reader intrigued. One approach to do this is to end a few if not all pages with a cliffhanger. Attract the reader, tell them something fascinating is going to occur, yet don’t uncover what that is until they turn the page. An example of this is Cameron Stewart Comics. Cameron Stewart Batgirl comic writer, artist, and illustrator knows exactly how to keep comic readers on their heels.

The most proficient approach to ‘work out a format’ is by using thumbnails. Thumbnails, which are like storyboards, assist work with trip synthesis issues before you put time into inking and shading your drawings. Consider them an unfinished copy of your drawings, and obviously, your format.


Regardless of whether you’re working naturally or carefully, drawing the comic can feel like an overwhelming undertaking. Be that as it may, at this phase of the cycle, your work shouldn’t be great. Zero in on getting your comic drawn; you can chip away at finishing it later during the coloring stage.


Since you have your comic drawn, it’s the ideal opportunity for inking and coloring; two assignments that don’t really should be finished by a similar individual. At the inking stage, you tidy up your drawings and add profundity to your outlines. In case you’re inking/coloring pictures from another craftsman, don’t be reluctant to pose inquiries if things aren’t clear.

Picking the tones can cause or break a ruckus. Notwithstanding legitimate color choice, not keeping your tones predictable can break things as well. Keep things reliable or your readers might be befuddled.

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